When I first learned how to use a DSLR, I stumbled on a technique to create abstract photos and a light ray effect that is now one of my favorite ways to play with photography. I called this lens twisting because accidentally twisting my lens while I was shooting was how I discovered it. I finally learned that the actual term for the technique is called a zoom burst.
And you don’t even need Photoshop or Lightroom to do it! Yup, this is an in-camera special effect.
What is a zoom burst?
You turn (or zoom) the lens on your camera while you’re exposing an image. That’s it!
When you do this, you’ll get light or color trails that radiate from the center of your photo, giving it wonderful movement and texture.
Equipment needed
While you don’t need fancy software to do a zoom burst, you will need a few things as follows:
- A DSLR or a camera that can zoom in and out while you’re exposing your shot.
- A tripod for really long exposures where you care about your photo being in focus.
- The delayed release function on your camera or a remote release so you don’t get camera shake from pressing the shutter.
In this photo, I wanted the redwoods and the rays to be in focus, so I used a tripod and my camera’s two-second timer to avoid blur.
Full disclosure: For the image below, on that day I didn’t have my tripod with me, so I just handheld it and hoped for the best! As you can see, the tree isn’t entirely in focus, giving it a much softer and more abstract feel than the redwood shot. And I think I held it pretty steady, considering I was turning the lens and exposing for a full second!
So a tripod isn’t necessary, but it can give you more control over the elements.
Light
The other element to consider, of course, is light. You’ll want to think about the exposure triangle when you set up your shots. Since you’re going to need a slower shutter speed in order to give yourself time to zoom, you’ll need to manage the ISO and aperture to accommodate that.
So during daylight, you’ll want to limit the light by decreasing your ISO, making your aperture smaller, using neutral density filters, or any combination of those.
At night, depending on how much ambient light there is, you’ll probably need to bump up your ISO, open up your aperture, and slow your shutter speed even more.
Camera settings
Here’s how I recommend setting up your camera (I now use a Canon 6D, but I’ve done this on a Canon Rebel as well as a Pentax K-r):
- Put the camera in manual mode.
- If you’re shooting in daylight, make the aperture as small as possible (try f/16 or f/22). At night, open it up a bit more.
- During daylight, lower the ISO as much as possible, try ISO 50 or 100. At night, you might choose to make it higher.
- Decide what your focal point will be in the image that will be the point at which the light or color pattern emanates outward.
- Make the shutter speed a second or slower.
Once you have it set up, the fun ensues because the options abound!
You can do things like:
- Zoom in and out a bunch of times throughout the exposure, at various speeds.
- Do one long and slow zoom IN that takes up the entire exposure time.
- Do one long and slow zoom OUT that takes up the entire exposure time.
- Take a pause at the beginning, middle, or end of the zoom. Sort of like burning while you’re exposing.
- Do a slight or partial zoom, where your light or color trails are shorter. Instead of turning your lens the full range of motion, just do a little.
- Shoot during the day or at night.
- Shoot inside or out.
- Turn your camera instead of your lens.
- Turn BOTH (much easier if you’re not using a tripod).
If your shot is overexposed, you can choose to increase your shutter speed, make your aperture smaller, decrease your ISO, or use a neutral density filter.
The shot above was a bit overexposed, so I corrected by slowing down the shutter speed from 1/8th of a second to 1/15th, and stopping down the aperture from f/27 to f/32.

Need more light? Do the opposite..decrease your shutter speed, make your aperture larger, increase your ISO, or and get rid of that filter.
This photo was shot at f/4, 30 seconds, and ISO 10,000. I wanted to have my cake and eat it too; get The Milky Way on the right, plus the light trails from the zoom burst. Unlike all the other photos I’ve shared, this definitely required a tripod.
Now, I clearly have a thing for nature and trees, but you can do this with anything (try neon signs at night). Most people prefer to zoom out, but I like both, depending on the effect I’m going for.
It’s really up to you and your aesthetic…and your creativity! Have fun! Share your questions, comments, and zoom burst images in the section below.
Author Bio:
Eryka Peskin is a photographer, writer, Abundance Coach, and a Fierce Cheerleader who alternates between New York City, Mendocino, CA, and Asheville, NC. She takes photos wherever she goes and specializes in landscape, travel photography, and photos of her niece and nephews. You can find Eryka at her website, Instagram, and 500px.
Back around 1974 in a photo magazine I saw a pictures of a zoom burst. I always wanted to do it. Then in 2006 I took the image of the boombox in a room with Canon AE 1 Program 35mm with a Pro Master 28-200mm Marco https://uploads.disquscdn.com/images/8cd9aab0139d3719067090f4ba998b91c9ab2ea7c6d353202faf62e21f4a375e.jpg https://uploads.disquscdn.com/images/421981231a717bc77872ff4462ea64a32a540f67b4e006d89f0b0329e27fbaf0.jpg , 1 touch zoom lens ( that’s where with 1 ring turn to focus, push out or in to zoom). If I remember right the 35mm film was Fuji 200 ISO, or that’s what I use to shoot with…
Cool!
Darlene and Eryka, Thanks for sharing this article. I know what I am going to be trying for a while. I particularly like your shot of the Milky Way.
Eryka-looking at the shots in this article it is my guess that they were all zoom outs since they all seem to have a focal point at the center and radiate outward to the edges of the frame (barring the affect of cropping the focal point of image away from center-frame. Is that correct, or did some of these result from zoom ins? Also, what kind of effects can be expected from mixed zooms in and out as described in your list of things you can do with zoom bursts? Thanks so much
I can’t answer for Eryka but zooming in and out can look exactly the same – it just depends on where you pause the longest.
Thanks so much Darlene. That helps me understand much better.
Great article with some practical tips and things I didn’t know before.